Starting out, I remember asking other DJs I admired, “How do you get good gigs?” Almost without exception, the answer was “Start your own.” This kind of project isn’t …more
Dim the Lights, Crank the Bass, Prepare for Total Immersion
Tony Ustel, an up-and-coming Canadian DJ who performs under the name King Cobra, remembers the first time he realized that …more
How To Be Good, Even When They’re Not
You’ve decided to be a DJ and perfect your skills. You’ve gotten your music, and gear or access to it. …more
How Far Will We Go For the Next Monster Bass-line?
In the club scene, many DJs think that sacrificing their hearing for the love of the crowd is a small price …more
Let’s face it: the old clubbing scene has lost its luster. The formulaic progressive house DJ + dancing revelers = a happy night out has dissolved into a sea of …more
In the beginning, the dance scene had just one god to bow to—the omnipotent DJ. Club revelers learned to revere these ever-present record spinners, elevating them on virtual and literal …more
DJ Schools are cropping up all across the country, but their worth and legitimacy is a matter of hot debate. Although America has been slow on the uptake compared to …more
It happens every weekend. There’s a deliciously crowded dance floor, an in-the-groove DJ, and a mix so mind-blowing a handful of the revelers look up in awe and think, “How …more
Most electronic hipsters can name at least one female DJ, but nevertheless, the turntable-fueled portion of the music industry remains a male-dominated world. The question bears asking—is this imbalanced gender …more
DJs are the new rock stars—anyone who’s been to a dance club in the last decade has seen the transformation. It used to be the guy with the record case …more
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Les Paul, the virtuoso guitarist and inventor whose solid-body electric guitar and recording studio innovations more
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Tuesday, Mar 3rd, 2009> John Simson, Executive Director of SoundExchange Tuesday, Feb 3rd, 2009> NAMM 2009 – Music Industry Alive and Well! > Tim Westergren, founder/CEO of Pandora Radio Tuesday, Jan 27th, 2009> Video Didn’t Kill the Radio Star, but the Internet... Tuesday, Jan 13th, 2009> The Price: The Intense Life Cycle of the Working Mus... > The Most Bang for Your Drum: How to Mic A Snare Tuesday, Jan 6th, 2009> The Passion: Staying Sane and Creative Under Pressur... > The Future of Electronica: What’s in the Mix? > The Secret World of Booking Agents Tuesday, Nov 11th, 2008> John Vanderslice – Analog Auteur (Pt. II) Tuesday, Oct 14th, 2008> John Vanderslice – Analog Auteur (Pt. I) Tuesday, Sep 30th, 2008> The Push: How to Engineer Your Big Break Tuesday, Jun 17th, 2008> You’re Never Too Young to Make Winning Music Tuesday, Apr 8th, 2008> Glycerin: Breaking New Ground in the DJ World Tuesday, Oct 30th, 2007> Booking Your Own Tour Tuesday, Jul 31st, 2007> DJ Forest Green Heats Up the Dance Floor Tuesday, May 8th, 2007> Carl Verheyen: Guitar Virtuoso & Musical Legend... > Coachella ’07 Tuesday, Apr 3rd, 2007> Major Label Deals: The Good, The Bad and The Complic... > Carl Verheyen: Guitar Virtuoso & Musical Legend... Tuesday, Jan 9th, 2007> DJ Schools: Competitive Advantage or a Wasted Spin? > Budgeting Your Tour > College Radio—A Breed All Its Own Tuesday, Dec 19th, 2006> So You Wanna Be a DJ—Tips on How To Blaze a Beat-M... > Music Heard Round the World: Using Podcasting to Pro... Tuesday, Nov 28th, 2006> Why Master Your Music? Tuesday, Oct 31st, 2006> Independent Labels: The Mavericks of Rock n’ Roll Tuesday, Oct 24th, 2006> A Girl and Her Decks—The Plight of the Female DJ Tuesday, Oct 17th, 2006> Create Your Own Podcast Under the Holy Trinity of In... Tuesday, Oct 10th, 2006> Don’t Underestimate the Open Mic |
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